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{{About|the use of the term ''maya'' as illusion|the traditional definition of ''maya'' as a mental factor|Maya (mental factor)}}
'''''Maya''''' or '''''Māyā''''' ([[Sanskrit]] {{lang|sa|माया}} ''{{IAST|māyā}}''{{cref|a}}), a term found in Pali and Sanskrit literature, has multiple meanings and can be translated to mean something of an "illusion" (or more accurately a "''[[delusion]]''").
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'''''Maya''''' or '''''Māyā''''' ([[Sanskrit]] {{lang|sa|माया}}, a term found in Pali and Sanskrit literature, is often used to refer to a magician's illusion, or the illusory nature of reality, particularly in the Sanskrit tradition.
  
==Hinduism==
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In the Sanskrit tradition, the magician's illusion exemplifies how people misunderstand themselves and their reality. Under the influence of ignorance, we believe objects and persons to be independently real, existing apart from causes and conditions. We fail to perceive them as being empty of a real essence, whereas in fact they exist much like māyā, the magical appearance created by the magician. The magician's illusion may exist and function in the world on the basis of some props, gestures, and incantations, yet the show is illusory. The viewers participate in creating the illusion by misperceiving and drawing false conclusions. A wise person sees the appearances as illusory, and thus is freed from attachment to the appearances.
{{Hinduism}}
 
  
===In Vedas, Puranas and Tamil classics===
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For example, some texts identify [[eight similes of illusion]] (the Tibetan sgyu ma translates māyā and also other [[Sanskrit]] words for illusion): magic, a dream, a bubble, a rainbow, lightning, the moon reflected in water, a mirage, and a city of celestial musicians." <ref>Thinley Norbe Rinpoche in The Dzogchen Primer, Marcia Binder Schmidt ed. Shambala, Boston, 2002, pg. 215 ISBN 1-57062-829-7</ref> Understanding that what we experience is less substantial than we believe is intended to serve the purpose of liberation from ignorance, fear, and clinging and the attainment of enlightenment as a Buddha completely dedicated to the welfare of all beings.
The term ''māyā'' occurs 70 times in [[Rigveda]] and around 27 times in the [[Atharvaveda|Atharva]]veda; and in all these places [[Yaska]], [[Sayana]], [[Dayananda Saraswati]] agree the term means [[Prajna (Vedic)|Prajñā]], ''jnana-vishesha'' (specific knowledge).<ref name="raj">Pruthi, Raj (2004). Vedic Civilization, p.222-223. Discovery Publishing House. ISBN 8171418759 [http://books.google.com/books?id=z3ksBrWoZm0C&pg=PA222&dq=asuri+maya&hl=en&sa=X&ei=U1EsUcqIJJGx0QHBnoD4CQ&ved=0CEYQ6AEwBA#v=onepage&q=asuri%20maya&f=false]</ref> The term ''Asuri-Maya'' in the [[Yajurveda]] at one place was translated by Uvvat as the "knowledge of the vital air".<ref name="raj"/> With regard to the usage of the word ''Maya'' in the [[Rigveda]], Radhakrishnan opines it was only used to signify might and power.<ref name="raj"/> Maya as the cause of illusion or as the sense of Avidya (lack of knowledge) has never been used in the Vedas.<ref name="raj"/> According to Monier Williams, Maya meant wisdom and extraordinary power in an earlier language, but later the word came to mean illusion and magic.<ref name="sb">Bhattacharji, Sukumari (1970). The Indian Theogony: A Comparative Study of Indian Mythology from the Vedas to the Puraṇas, p.35-37. CUP Archive [http://books.google.com/books?id=lDc9AAAAIAAJ&pg=PA35&dq=asuri+maya&hl=en&sa=X&ei=U1EsUcqIJJGx0QHBnoD4CQ&ved=0CDAQ6AEwAA#v=onepage&q=asuri%20maya&f=false]</ref>
 
 
 
In early Vedic literature, [[Varuna]]'s supernatural power is called Maya.<ref name="sb"/> Though [[Indra]], [[Agni]], and some other gods are said to have Maya, the first Rigvedic phase exclusively connected Maya with Varuna, who is called Mayin and Asura.<ref name="sb"/> In the Rig, [[Indra]] uses Maya to conquer [[Vritra]]. <ref name="williams"> Williams, George M., (2008). Handbook of Hindu Mythology, p.214. Oxford University Press. ISBN 9780195332612 </ref> Monier Williams takes ''asu'' to mean life of the spiritual world or departed souls. The association of Varuna with ''Nritti'', death, thus connects Maya with the power of life of the spiritual world or the departed souls.<ref name="sb"/> Due to ''asura's maya'', Varuna is said to send rain, create dawn and envelope the night; and with Mitra, Varuna is personified to protect Earth. Varuna found mention as a companion in Indra's exploits and had several Rigvedic verses dedicated to him. In the seventh mandala of Rigveda, many of [[Varuna]]'s accomplishments are composed exclusively by [[Vashista]]; with Vashistas said to be a clan of Varuna-worshippers.<ref name="sb"/> Varuna is said to be the brother of [[Soma]] and instituted the [[Rajasuya]] sacrifice.<ref name="sb"/>
 
 
 
However, in the later Rig Vedic phase, Varuna ceased to occupy the position of supremacy and was thence dubbed 'chief of the evil spirits'.<ref name="sb"/> The asuras,  now dubbed demons, are said to have lost their ''māyā'' due to Varuna's power.<ref name="sb"/> With the rise of [[Prajapati]], the ''asura māyā'' is shared by demons and gods in different forms. Prajapati (and later [[Vishnu]]) became identified with the sacrificial rites; and became the sole owner of ''asuri māyā'', that is, white magic which benefits gods and men.<ref name="sb"/> The asuras (demons), on the other hand, now wielded black magic to harass the gods (devas).<ref name="sb"/> Since Prajapati was considered the father of Varuna, the asuras consecrated Varuna, although Prajapati's rise in the Brahmanic period made Prajapati the overlord of all kinds of magic power.<ref name="sb"/> In later literature, Varuna was a keeper of Banasura's cattle and was killed by [[Krishna]] who intended to plunder the cattle. Before dying, Varuna is said to have sung a hymn for Krishna before finally yielding to his puranic successor.<ref name="sb"/>
 
 
 
In [[Puranas]] and Vaishnava theology, ''māyā'' is described as one of the nine shaktis of [[Vishnu]].<ref name="sb1">Bhattacharji, Sukumari (1970). The Indian Theogony: A Comparative Study of Indian Mythology from the Vedas to the Puraṇas, p.312-345. CUP Archive.</ref>  ''Māyā'' became associated with sleep; and Vishnu's ''māyā'' is sleep which envelopes the world when he awakes to destroy evil. Vishnu, like Indra, is the master of ''māyā''; and ''māyā'' envelopes Vishnu's body.<ref name="sb1"/> The magic creative power, ''Māyā'' was always a monopoly of the central Solar God; and was also associated with the early solar prototype of Vishnu in the early Aditya phase.<ref name="sb1"/>
 
 
 
In Sangam period Tamil literature, Krishna is found as ''māyon'';<ref>Bryant, Edwin Francis (Ed.) (2007). Krishna: A Sourcebook, p.7-8. Oxford University Press. ISBN 0198034008 [http://books.google.com/books?id=0z02cZe8PU8C&pg=PA7&dq=mayon+krishna&hl=en&sa=X&ei=SVlRUYm_HMfJ4AO3nIGYBQ&ved=0CDkQ6AEwAg#v=onepage&q=mayon%20krishna&f=false]</ref> with other attributed names are such as Mal, Tirumal, Perumal and Mayavan.<ref>Division of Religion and Philosophy, University of Cumbria. http://www.philtar.ac.uk/encyclopedia/hindu/ascetic/mal.html</ref> In the Tamil classics, Durga is referred to by the feminine form of the word, viz., ''māyol'';<ref name="rao">Saligrama Krishna Ramachandra Rao (2003). Encyclopedia of Indian Iconography: Hinduism - Buddhism - Jainism, Volume 2, p.1178 .Sri Satguru Publications. ISBN 8170307635.</ref> wherein she is endowed with unlimited creative energy and the great powers of Vishnu, and is hence ''Vishnu-Maya''.<ref name="rao"/> As ''Maha-Maya'', she clouds the knowledge of the new born baby bestowing individual ego, ideas of ownership, screening him from wisdom and involving him in pleasures and pain of the transactional world.<ref name="rao"/>
 
 
 
In the [[Atharvaveda|Atharva]] texts, Maya is a prominent deity of the [[Asura]]s; while in the [[Yajurveda]] the Earth goddess is invoked for universal well being and made ''asuri māyā'' with offerings.<ref name="agrawala">Agrawala, Prithvi Kumar (1984). Goddessess in Ancient India, p.121-123. Abhinav Publications, ISBN 0391029606 [http://books.google.com/books?id=8BmDIbNuD0gC&pg=PA122&dq=maya+asura+goddess&hl=en&sa=X&ei=1WosUajLEY_V0gHeuIDgBw&ved=0CDIQ6AEwAQ#v=onepage&q=maya%20asura%20goddess&f=false]</ref> The [[Yajurveda]] also describes ''māyā'' as an unfathomable plan; and signifies ''asuri māyā'' to be reachable through the mind in a mysterious process.<ref>Desai, Gandabhai Girijashanker (1967). Thinking with the Yajurveda, p.16. Asia Publishing House.</ref> In the [[Aitareya Brahmana]] Maya is also referred to as Dirghajihvi, hostile to gods and sacrifices, and was killed by [[Sumitra]] during an act of purported love making with [[Indra]].<ref name="agrawala"/> According to Johnston, the Gangetic goddess ''māyiā'' can be equated with the goddess ''māyā'' found in Ashvagosha's Saundarananda.<ref name="agrawala"/> According to V.S Agrawala, the prakrit variants of goddess ''māyā'' include ''mā'', ''māyi'' and ''māyiā''.<ref name="agrawala"/>
 
 
 
By the time of [[Upanishads]], māyā was beginning to acquire five contexts of meanings -- ritual, metaphysical, epistemological, mythological and magical -- all of which related to enigmatic qualities of life and  consciousness of life.<ref name="williams"/> While metaphysically and epistemologically, māyā points to the process of mental creation and material creation, the theoretical usage of māyā allowed for contradiction or rejection of practical usages of māyā corresponding to ritual, mythological and magical approaches.<ref name="williams"/> Maya [Shakti] as a power was based on observation and experimentation such that orthoprax priests and ascetics used it in ritual practice with the understanding of māyā as control of life's mysteries.<ref name="williams"/> This also involved the conclusion that austerities (tapas) can result in the power to control nature, including gods, acquiring objects of desire, including heaven (svarga) and immortality.<ref name="williams"/> In the mythological context, māyā was used in the practical sense, such that practices (rituals, austerities, devotion, or a combination of these) gave mortals control over results of the actions (related to karma) and hope for future. <ref name="williams"/>     
 
 
 
In some Upanishads, such as the [[Shvetashvatara Upanishad]], ''māyā'' is designated prakriti (nature) and owned by Maheshvara, who as ''māyin'' is creator of all manifestations and principles.<ref name="agrawala"/> According to P.K. Agrawala, while ''māyā'' is found in later day philosophies in the context of illusion, the theory of Maya in upanishadic philosophy has in its background the cult of the goddess ''māyā''; and the acceptance of Mahesvara-[[Shiva]] as her spouse represents the inter-mingling of systems and worship forms of these two divinities.<ref name="agrawala"/>
 
 
 
===In Samkhya and Puranas===
 
{{see also|Samkhya}}
 
The early works of Sankya do not identify or directly mention the maya doctrine.<ref name="nakamura">Nakamura, Hajime (1990). A History of Early Vedānta Philosophy, p.335-336. Motilal Banarsidass Publications. ISBN 9788120806511</ref> Early Sankhya does not identify Prakriti as feminine.<ref name="gier"/> But the later ''Samkhyakarika'' provides a metaphor of Prakriti as a seductive dancer enticing all inactive Purushas (except one Ishvara, the Mahayogin, who remains free and detached) to join her in creating the world; such that the fall into the created world can only be reversed by breaking away from Prakriti using the spiritual discipline of Ishvara, as a model for liberation.<ref name="gier"/> Successful yogic liberation would leave Prakriti without dance partners and she returns to an undifferentiated mass.<ref name="gier"/>
 
 
 
[[Vācaspati Miśra]]'s commentary on the ''Samkhyakarika'' attacks the Maya doctrine saying "It is not possible to say that the notion of the phenomenal world being real is false, for there is no evidence to contradict it".<ref name="nakamura"/>
 
 
 
The Sankhya dualism view of Purusha and Prakriti was a metaphysical one related to yogic retreat and isolation. However, some puranic writers portrayed prakriti as a feminine power sacralizing the human body, emotions, nature and human relations. <ref name="gier">Gier, Nicholas F., (2000). Spiritual Titanism: Indian, Chinese, and Western Perspectives, p.117-118. SUNY Press. ISBN 9780791445273 </ref> The goddess as  ''prakriti'' was identified with the creative ''maya'' of the vedanta tradition and the powerful ''shakti'' of tantricism. <ref name="gier"/>  According to J.N.Tiwari:
 
<blockquote>
 
philosophical basis of the Great Goddess should be traced to a theistic adaptation of Upanishadic Vedantism mixed with the Samkhya conception of Prakriti. As it is, the Goddess is imagined as the Supreme Principle in her own right, as eternally existing, as Supreme Knowledge, as the cause of the bondage and the final liberation of beings, etc. <ref name="gier"/></blockquote>
 
 
 
In the Brahmavaivarta Purana, [[Radha]] is Prakriti and identified with the energy of Brahman; with her being the true form of Brahman and sometimes superior to it.<ref name="gier"/> Spiritual qualities (''sattvagunas'') are considered means of release for Prakriti. The ''Samkhyakarika'' says "As the unknowing milk functions for the sake of the nourishment of the calf; so the prakṛti functions for the sake of the release of the puruṣa".<ref name="gier"/>
 
 
 
===In Vedanta===
 
The mystic teachings in [[Vedanta]] are centered on a fundamental truth of the universe that cannot be reduced to a concept or word for the ordinary mind to manipulate. Rather, the human experience and mind are themselves a tiny fragment of this truth. In this tradition, no mind-object can be identified as absolute truth, such that one may say, "That's it." So, to keep the mind from attaching to incomplete fragments of reality, a speaker could use this term to indicate that truth is "Not that."
 
 
 
In Vedanta, māyā is to be seen through, like an epiphany ([[darśana]]), in order to achieve [[moksha]] (liberation of the soul from the cycle of [[samsara]]). [[Ahamkāra]] (ego-consciousness) and [[karma]] are seen as part of the binding forces of māyā. Māyā may be understood as the phenomenal Universe of perceived duality, a lesser reality-lens superimposed on the unity of [[Brahman]]. It is said to be created by the divine application of the [[Lila (Hinduism)|Lilā]] (creative energy/material cycle, manifested as a veil—the basis of [[dualism]]). The [[sanskara]]s of perceived duality perpetuate samsara.{{Citation needed|date=March 2009}}
 
 
 
Maya is often translated as "[[illusion]]", since our minds construct a subjective experience, which we are in peril of interpreting as reality. Māyā is the principal deity that manifests, perpetuates, and governs the illusion and [[dream]] of [[dualism|duality]] in the phenomenal [[Universe]]. For some [[mysticism|mystics]], this manifestation is real.<ref>{{cite book | last = Brodd | first = Jefferey | authorlink = | coauthors = | title = World Religions | publisher = Saint Mary's Press | year = 2003 | location = Winona, MN | pages = | url = | doi =  | isbn = 978-0-88489-725-5 }}</ref> Each person, each physical object, from the perspective of eternity, is like a brief, disturbed drop of water from an unbounded ocean. The goal of [[Enlightenment (spiritual)|enlightenment]] is to understand this—more precisely, to experience this: to see that the distinction between the [[atman (Hinduism)|self]] and the Universe is a [[false dichotomy]]. The distinction between [[higher consciousness|consciousness]] and physical matter, between mind and body (refer [[Bodymind (in meditation traditions)|bodymind]]), is the result of an unenlightened [[perspective (cognitive)|perspective]].
 
 
 
===In Advaita Vedanta===
 
In [[Advaita Vedanta]] philosophy, māyā is the limited, purely physical and mental reality in which our everyday consciousness has become entangled. Māyā is held to be an illusion, a veiling of the true, unitary Self—the Cosmic Spirit also known as [[Brahman]]. The concept of māyā was introduced by the ninth-century Hindu philosopher [[Adi Shankara]].<ref>Surendranath Dasgupta, ''A History of Indian Philosophy.'' Cambridge University Press Archive, 1955, page 1. "He [Bhaskara] speaks in very strong terms against the commentator [Shankara] who holds the ''māyā'' doctrine and is a Buddhist in his views. But, though he was opposed to Shankara, it was only so far as Shankara had introduced the ''māyā'' doctrine, and only so far as he thought the world had sprung forth not as a real modification of Brahman, but only through ''māyā''."</ref> He refuses, however, to explain the relationship between Brahman and māyā.<ref>Pratima Bowes, "Mysticism in the Upanishads and Shankara's Vedanta" in Karel Werner, ed., ''The Yogi and the Mystic." Routledge, 1995, page 67.</ref>
 
 
 
Many philosophies and religions seek to "pierce the veil" of māyā in order to glimpse the [[Transcendence (religion)|transcendent]] truth from which the illusion of a physical reality springs, drawing from the idea that first came to life in the Hindu stream of [[Vedanta]].
 
 
 
Māyā is a fact in that it is the appearance of phenomena. Since Brahman is the only truth, māyā is true but not the truth, the difference being that the truth is the truth forever while what is true is only true for now. Since māyā causes the material world to be seen, it is true in itself but is "untrue" in comparison to the Brahman. On the other hand, māyā is not false. It is true in itself but untrue in comparison with the absolute truth. In this sense, reality includes māyā and the Brahman. The goal of spiritual enlightenment ought to be to see Brahman and māyā and distinguish between them. Hence, māyā is described as indescribable. Māyā is [[avyakta]] and as [[Parameshashakti]] has two principal functions: one is to veil Brahman and obscure and conceal it from our consciousness; the other is to present and promulgate the material world and the veil of duality instead of Brahman. The veil of māyā may be pierced, and, with diligence and grace, may be permanently rent. Consider an illusion of a rope being mistaken for a snake in the darkness. Just as this illusion gets destroyed when true knowledge of the rope is perceived, similarly, māyā gets destroyed for a person when they perceive Brahman with transcendental knowledge. A metaphor is also given—when the reflection of Brahman falls on māyā, Brahman appears as God (the Supreme Lord). Pragmatically, where the duality of the world is regarded as true, māyā becomes the divine magical power of the Supreme Lord. māyā ''is'' the veritable fabric of duality, and she performs this role at the behest of the Supreme Lord. God is not bound by māyā, just as magicians do not believe the illusions of their own magic.
 
 
 
''The following passage is by Sri Shankaracharya:''{{citation needed|date=November 2013}}
 
 
 
# The [[Paramatman|Supreme Self]] (or Ultimate Reality) who is Pure Consciousness perceived himself by Selfhood (i.e. Existence with "I"-Consciousness). He became endowed with the name "I". From that arose the basis of difference.
 
# He exists verily in two parts, on account of which, the two could become husband and wife. Therefore, this space is ever filled up completely by the woman (or the feminine principle) surely.
 
# And He, this Supreme Self thought (or reflected). Thence, human beings were born. Thus say the (scriptures) through the statement of [[Wise old man|sage]] [[Yajnavalkya]] to his wife.
 
# From the experience of bliss for a long time, there arose in the Supreme Self a certain state like [[yoganidra|deep sleep]]. From that (state) māyā (or the illusive power of the Supreme Self) was born just as a [[dream]] arises in [[sleep]].
 
# This māyā is without the characteristics of (or different from) Reality or unreality, without beginning and dependent on the Reality that is the Supreme Self. She, who is of the form of the Three [[Guna]] (qualities or energies of [[Nature]]) brings forth the [[Universe]] with movable and immovable (objects).
 
# As for māyā, it is invisible (or not experienced by the senses). How can it produce a thing that is visible (or experienced by the senses)? How is a visible piece of cloth produced here by threads of invisible nature?
 
# Thus māyā is invisible (or beyond sense-perception). (But) this universe which is its effect, is visible (or perceived by the senses). This would be māyā which, on its part, becomes the producer of joy by its own destruction.
 
# Like night (or darkness) māyā is extremely insurmountable (or extremely difficult to be understood). Its nature is not perceived here. Even as it is being observed carefully (or being investigated) by sages, it vanishes like [[lightning]].
 
# māyā (the illusive power) is what is obtained in Brahman (or the Ultimate Reality). [[Avidya (Hinduism)|Avidya]] (or nescience or spiritual ignorance) is said to be dependent on Jiva (the individual soul or individualised consciousness). [[Mind]] is the [[knot]] which joins [[consciousness]] and [[matter]].
 
# Space enclosed by a pot, or a jar or a hut or a wall has their several appellations (e.g., pot space, jar space etc.). Like that, Consciousness (or the Self) covered here by Avidya (or nescience) is spoken of as jiva (the individual soul).
 
# Objection: How indeed could ignorance become a covering (or an obscure factor) for Brahman (or the Supreme Spirit) who is Pure Consciousness, as if the darkness arising from the night (could become a concealing factor) for the sun which is self-luminous?
 
# As the sun is hidden by clouds produced by the solar rays but surely, the character of the day is not hidden by those modified dense collection of clouds, so the Self, though pure, (or undefiled) is veiled for a long time by ignorance. But its power of Consciousness in living beings, which is established in this world, is not veiled.
 
 
 
===Bhagavad Gita verses===
 
{{howto|date=November 2012}}
 
One should understand clearly what is "field" and what is "The Knower of this field" in order to understand Maya. For the work of Maya is nothing but to fool us, by showing the "field" or "body" as the self (us) and the "Knower of the field" or the "Soul" as unreal. While the truth is that the self (we) are the "Knower of the field" / "Soul" and the "field" / "body" is apart from us, we merely see this body day to day, as it is born and dying and reborn. (See section end for how to overcome Maya).<ref>http://www.asitis.com/</ref>
 
 
 
Spoken by Krishna to Arjuna on the battlefield of Kurukshetra
 
''Bhagavad Gita, Ch. 13, Verse 26'':
 
 
 
<blockquote>Wherever a being is born, whether unmoving or moving, know that Arjuna, as born from the union between the field and the knower of the field.</blockquote>
 
 
 
(Purusha is the knower of the field; Prakriti (nature) is the field; Shiva is another name for the knower of the field and Shakti is the field; Spirit is another name for the knower of the field and Matter (Prakriti) is the field; The Knower of the field is also called as Soul where its embodied body is the field;)
 
 
 
''Bhagavad Gita, Ch. 13, Verse 30'':<ref>{{cite web|last=Prabhupada|first=A. C. Bhaktivedanta Swami|title=Bhagavad-Gita As It Is|url=http://www.asitis.com/13/30.html|accessdate=4 December 2013}}</ref>
 
 
 
<blockquote>Only he who sees that all activities are performed by the body (field), which is created of material nature, and sees that the Self (Knower of the field) does nothing, sees aright.</blockquote>
 
 
 
(The Self (Knower of the field) is the inactive witness.)
 
 
 
''Bhagavad Gita, Ch. 18, Verse 61'':
 
 
 
<blockquote>Arjuna, God abides in the heart of all creatures, causing them to revolve according to their Karma (Desires) by His illusive power (Māyā) as though mounted on a machine.</blockquote>
 
 
 
''Bhagavad Gita, Ch. 7, Verse 25'':
 
 
 
<blockquote>(Sri Bagawan Krishna says:)I (Knower of the field) am never manifest to the foolish and ignorant. For them I am covered by My eternal creative potency [yoga-Maya]; and that is why the deluded world knows Me not, Who am unborn and infallible.</blockquote>
 
 
 
Thus Maya is Lord Krishna's potency which he uses upon ignorant people to hide himself as ignorant people do nothing but find fault in the Lord. To overcome Maya and understand the True self and to see Lord Krishna one must have faith and devotion towards Him as stated below.
 
 
 
''Bhagavad Gita, Ch. 11, Verse 54'':
 
 
 
(Sri Bagawan Krishna says as below after showing His four-armed form to Arjuna:)
 
 
 
<blockquote>My dear Arjuna, only by undivided devotional service can I be understood as I am standing before you, and can thus be seen directly. Only in this way can you (not only see Me but also) enter into the mysteries of My being.</blockquote>
 
 
 
Hence one should have faith and devotion to Lord Krishna in order to understand him and his divine potency - Yogmaya.
 
 
 
===Hindu narratives===
 
{{refimprove|date=March 2013}}
 
In [[Hinduism]], māyā is also seen as a form of [[Laksmi]], a Divine Goddess. Her most famous explication is seen in the Devi Mahatmyam, where she is known as Mahamāyā. Because of its association with the goddess, Mayā is now a common girl's name in India and amongst the Indian diaspora around the world.<ref>[http://hinduism.about.com/b/2005/06/05/most-popular-indian-baby-names-in-us.htm Most Popular Indian Baby Names in US<!-- Bot generated title -->]</ref>
 
 
 
Essentially, Mahāmāyā (great māyā) both blinds us in delusion (moha) and has the power to free us from it. Māyā, superimposed on [[Brahman]], the one divine ground and essence of [[Monism#Hinduism|monist Hinduism]], is envisioned as one with Laxmi, [[Durgā]], etc. A great modern (19th century) Hindu sage who often spoke of māyā as being the same as the [[Shakti]] principle of Hinduism was Shri [[Ramakrishna]].
 
 
 
In the Hindu scripture ''Devi Mahātmyam'', Mahāmāyā (Great māyā) is said to cover [[Vishnu]]'s eyes in [[Yoganidra]] (divine sleep) during cycles of existence when all is resolved into one. By exhorting Mahamāyā to release her illusory hold on Vishnu, Brahma is able to bring Vishnu to aid him in killing two demons, [[Madhu, Hindu mythology|Madhu]] and [[Kaitabh]], who have manifested from Vishnu's sleeping form. Sri [[Ramakrishna Paramahamsa]] often spoke of Mother māyā and combined deep Hindu allegory with the idea that māyā is a lesser reality that must be overcome so that one is able to realize his or her true Self.
 
 
 
Māyā, in her form as Durga, was called upon when the gods and goddesses were helpless against the attacks of the demon [[Mahisasura]]. The combined material energy of all the gods, including [[Brahma]], [[Vishnu]] and [[Shiva]], created her. She is thus said to possess the combined material power of all the gods and goddesses. The gods gave her ornaments, weapons, and her bearer, the lion. She was unassailable. She fought a fierce battle against the demon [[Mahisasura]] and his huge army. She defeated the demon's army, killed the demon, and hence restored peace and order to the world. Thus She is, even now, the protector of the Universe, which is lying in her lap.
 
 
 
Devi Mahamāyā is also a [[Kuldevata]] of the Gowd [[Saraswat Brahmin]]s and [[Daivajna]]s of the western coast of [[India]].
 
 
 
==Buddhism==
 
{{Buddhism}}
 
{{see also|Kleshas (Buddhism)}}
 
 
 
===Theravada===
 
In [[Theravada Buddhism]], the current expression of Buddhism most closely associated with early Buddhist practice, māyā is the name of the mother of the Buddha. This name may have some symbolic significance given the place of māyā in Indian thought, but it does not seem to have led this tradition to give to the concept of māyā much of a philosophical role. The [[Pali]] language of Theravada speaks of distortions (vipallasa) rather than illusion (māyā).
 
 
 
===Mahayana===
 
Subsequently, in [[Mahayana Buddhism]], illusion seems to play a somewhat larger role. Here, the magician's illusion exemplifies how people misunderstand themselves and their reality, when we could be free from this confusion. Under the influence of ignorance, we believe objects and persons to be independently real, existing apart from causes and conditions. We fail to perceive them as being empty of a real essence, whereas in fact they exist much like māyā, the magical appearance created by the magician. The magician's illusion may exist and function in the world on the basis of some props, gestures, and incantations, yet the show is illusory. The viewers participate in creating the illusion by misperceiving and drawing false conclusions. Conversely, when appearances arise and are seen as illusory, that is considered more accurate.
 
 
 
Altogether, there are "eight examples of illusion (the Tibetan sgyu ma translates māyā and also other [[Sanskrit]] words for illusion): magic, a dream, a bubble, a rainbow, lightning, the moon reflected in water, a mirage, and a city of celestial musicians." <ref>Thinley Norbe Rinpoche in The Dzogchen Primer, Marcia Binder Schmidt ed. Shambala, Boston, 2002, pg. 215 ISBN 1-57062-829-7</ref> Understanding that what we experience is less substantial than we believe is intended to serve the purpose of liberation from ignorance, fear, and clinging and the attainment of enlightenment as a Buddha completely dedicated to the welfare of all beings.
 
  
 
Depending on the stage of the practitioner, the magical illusion is experienced differently. In the ordinary state, we get attached to our own mental phenomena, believing they are real, like the audience at a magic show gets attached to the illusion of a beautiful lady. At the next level, called actual relative truth, the beautiful lady appears, but the magician does not get attached.  Lastly, at the ultimate level, the Buddha is not affected one way or the other by the illusion. Beyond conceptuality, the Buddha is neither attached nor non-attached.<ref>Thinley Norbe Rinpoche in The Dzogchen Primer, Marcia Binder Schmidt ed. Shambala, Boston, 2002, pg. 217 ISBN 1-57062-829-7</ref> This is the middle way of Buddhism, which explicitly refutes the extremes of both eternalism and [[nihilism]].
 
Depending on the stage of the practitioner, the magical illusion is experienced differently. In the ordinary state, we get attached to our own mental phenomena, believing they are real, like the audience at a magic show gets attached to the illusion of a beautiful lady. At the next level, called actual relative truth, the beautiful lady appears, but the magician does not get attached.  Lastly, at the ultimate level, the Buddha is not affected one way or the other by the illusion. Beyond conceptuality, the Buddha is neither attached nor non-attached.<ref>Thinley Norbe Rinpoche in The Dzogchen Primer, Marcia Binder Schmidt ed. Shambala, Boston, 2002, pg. 217 ISBN 1-57062-829-7</ref> This is the middle way of Buddhism, which explicitly refutes the extremes of both eternalism and [[nihilism]].
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For the Mahayana Buddhist, the self is māyā like a magic show and so are objects in the world. Vasubandhu's Trisvabhavanirdesa, a Mahayana Yogacara "Mind Only" text, discusses the example of the magician who makes a piece of wood appear as an elephant.<ref name="autogenerated61">The Emptiness of Emptiness: An Introduction to Early Indian Madhyamika.  C.W. Huntingdon, Jr. with Geshe Namgyal Wangchen, University of Hawaii Press, Honolulu, 1989, ISBN 0-8248-1165-8, p.61-62.</ref>  The audience is looking at a piece of wood but, under the spell of magic, perceives an elephant instead.  Instead of believing in the reality of the illusory elephant, we are invited to recognize that multiple factors are involved in creating that perception, including our involvement in dualistic subjectivity, causes and conditions, and the ultimate beyond duality. Recognizing how these factors combine to create what we perceive ordinarily, ultimate reality appears. Perceiving that the elephant is illusory is akin to seeing through the magical illusion, which reveals the dharmadhatu, or ground of being.<ref name="autogenerated61"/>
 
For the Mahayana Buddhist, the self is māyā like a magic show and so are objects in the world. Vasubandhu's Trisvabhavanirdesa, a Mahayana Yogacara "Mind Only" text, discusses the example of the magician who makes a piece of wood appear as an elephant.<ref name="autogenerated61">The Emptiness of Emptiness: An Introduction to Early Indian Madhyamika.  C.W. Huntingdon, Jr. with Geshe Namgyal Wangchen, University of Hawaii Press, Honolulu, 1989, ISBN 0-8248-1165-8, p.61-62.</ref>  The audience is looking at a piece of wood but, under the spell of magic, perceives an elephant instead.  Instead of believing in the reality of the illusory elephant, we are invited to recognize that multiple factors are involved in creating that perception, including our involvement in dualistic subjectivity, causes and conditions, and the ultimate beyond duality. Recognizing how these factors combine to create what we perceive ordinarily, ultimate reality appears. Perceiving that the elephant is illusory is akin to seeing through the magical illusion, which reveals the dharmadhatu, or ground of being.<ref name="autogenerated61"/>
 
===Tantra===
 
Buddhist [[Tantra]], a further development of the Mahayana, also makes use of the magician's illusion example in yet another way. In the completion stage of Buddhist Tantra, the practitioner takes on the form of a deity in an illusory body (māyādeha), which is like the magician's illusion. It is made of wind, or [[prana]], and is called illusory because it appears only to other [[yogis]] who have also attained the illusory body. The illusory body has the markings and signs of a Buddha. There is an impure and a pure illusory body, depending on the stage of the yogi's practice.<ref>Highest Yoga Tantra: An Introduction to the Esoteric Buddhism of Tibet, Daniel Cozort, Snow Lion Publications, Ithaca, NY 1986, pgs. 94-95.  ISBN 0-937938-32-7</ref>
 
 
The concept that the world is an illusion is controversial in Buddhism. The Buddha does not state that the world is an illusion, but ''like'' an illusion. In the [[Dzogchen]] tradition the ''perceived reality'' is considered literally unreal, in that objects which make-up perceived reality are known as objects within ones mind, and that, ''as we conceive them'', there is no pre-determined object, or assembly of objects in isolation from experience that may be considered the "true" object, or objects. As a prominent contemporary teacher puts it: "In a real sense, all the visions that we see in our lifetime are like a big dream [...]".<ref name="ChNN_dream_yoga_book">[[Chögyal Namkhai Norbu]] ''Dream Yoga And The Practice Of Natural Light'' Edited and introduced by Michael Katz, Snow Lion Publications, Ithaca, NY, ISBN 1-55939-007-7, pp. 42, 46, 48, 96, 105.</ref> In this context, the term ''visions'' denotes not only visual perceptions, but appearances perceived through all senses, including sounds, smells, tastes and tactile sensations.
 
 
Different schools and traditions in [[Tibetan Buddhism]] give different explanations of the mechanism producing the illusion usually called "reality".<ref>Elías Capriles. ''[http://webdelprofesor.ula.ve/humanidades/elicap/en/uploads/Biblioteca/bdz-e.version.pdf]: the Doctrine of the Buddha and the Supreme Vehicle of Tibetan Buddhism. Part 1 - Buddhism: a Dzogchen Outlook''. Published on the Web.</ref>
 
 
{{cquote|The real sky is (knowing) that [[samsara]] and [[nirvana]] are merely an illusory display.<ref>In: Chögyal Namkhai Norbu ''Dream Yoga and the Practice of Natural Light''. Edited and introduced by Michael Katz, Snow Lion Publications, Ithaca, NY, ISBN 1-55939-007-7, pp. 117.</ref>|||[[Jamgon Ju Mipham Gyatso|Mipham Rinpoche]]|''Quintessential Instructions of Mind'', p. 117}}
 
 
Even the illusory nature of apparent phenomena is itself an illusion. Ultimately, the yogi passes beyond a conception of things either existing or not existing, and beyond a conception of either samsara or nirvana. Only then is the yogi abiding in the ultimate reality.<ref>The Yoga Tradition:Its History, Literature, Philosophy and Practice, Georg Feuerstein, Hohm Press, Prescott, AZ, 1998, pg. 164. ISBN 1-890772-18-6</ref>
 
{{-}}
 
 
==Sikhism==
 
{{SikhBeliefs}}
 
{{Five Evils}}
 
In [[Sikhism]], the [[world]] is regarded as both transitory and relatively [[reality|real]].<ref name="Kohli">Surinder Singh Kohli, ''Guru Granth Sahib: An Analytical Study.'' Singh Brothers, Amritsar, 1992, page 262.</ref> [[God in Sikhism|God]] is viewed as the only reality, but within God exist both [[conscious]] [[souls]] and [[Consciousness|nonconscious]] objects; these created objects are also real.<ref name="Kohli" /> [[Natural]] [[phenomena]] are real but the effects they generate are unreal. māyā is as the events are real yet māyā is not as the effects are unreal. Sikhism believes that people are trapped in the world because of five vices: lust, anger, greed, attachment, and ego. Maya enables these five vices and makes a person think the physical world is "real," whereas, the goal of Sikhism is to rid the self of them. Consider the following example: In the moonless night, a [[rope]] lying on the ground may be mistaken for a [[snake]]. We know that the rope alone is real, not the snake. However, the failure to perceive the rope gives rise to the false [[perception]] of the snake. Once the darkness is removed, the rope alone remains; the snake disappears.
 
 
* ''Sakti adher jevarhee bhram chookaa nihchal siv ghari vaasaa.''<br />In the darkness of māyā, I mistook the rope for the snake, but that is over, and now I dwell in the eternal home of the Lord.<br />(sggs 332).
 
* ''Raaj bhuiang prasang jaise hahi ab kashu maram janaaiaa.''<br />Like the story of the rope mistaken for a snake, the mystery has now been explained to me. Like the many bracelets, which I mistakenly thought were gold; now, I do not say what I said then. (sggs 658).<ref>[http://www.gurbani.org/articles/webart14.htm Deceptive māyā]</ref>
 
 
In some [[mythologies]] the [[symbol]] of the snake was associated with [[money]], and māyā in modern [[Punjabi language|Punjabi]] refers to money. However in the [[Guru Granth Sahib]] māyā refers to the "grand illusion" of [[materialism]]. From this māyā all other [[evil]]s are born, but by understanding the nature of māyā a [[person]] begins to approach [[spirituality]].
 
 
* ''Janam baritha jāṯ rang mā▫i▫ā kai. ||1|| rahā▫o.''<br />You are squandering this life uselessly in the love of māyā.<br />Sri Guru Granth Sahib M.5 Guru Arjan Dev ANG 12
 
 
The teachings of the [[Sikh Guru]]s push the idea of [[Selfless service|sewa]] (selfless service) and [[simran]] ([[prayer]], [[meditation]], or remembering one's true [[death]]). The depths of these two [[concept]]s and the core of [[Sikhism]] comes from [[sangat (term)|sangat]] (congregation): by joining the congregation of true [[saints]] one is [[salvation|saved]]. By contrast, most people are believed to suffer from the [[false consciousness]] of materialism, as described in the following extracts from the Guru Granth Sahib:
 
 
* ''Mā▫i▫ā mohi visāri▫ā jagaṯ piṯā parṯipāl.''<br />In attachment to māyā, they have forgotten the Father, the Cherisher of the World.<br />Sri Guru Granth Sahib M3 Guru Amar Das  ANG 30
 
* ''Ih sarīr mā▫i▫ā kā puṯlā vicẖ ha▫umai ḏustī pā▫ī.''<br />This body is the [[puppet]] of māyā. The evil of [[egotism]] is within it.<br />Sri Guru Granth Sahib M3 Guru Amar Das
 
* ''Bābā mā▫i▫ā bẖaram bẖulā▫e.''<br />O Baba, māyā deceives with its illusion.<br />Sri Guru Granth Sahib M1 Guru Nanak Dev ANG60
 
* "For that which we cannot see, feel, smell, touch, or understand, we do not believe. For this, we are merely fools walking on the grounds of great potential with no comprehension of what is."<br />[[Buddhist]] [[monk]] quotation<ref>[http://www.google.co.uk/search?q=māyā+site:srigranth.org&hl=en&rlz=1T4ADBF_en-GBGB267GB268&start=10&sa=N extracts on māyā from Guru Granth Sahib]</ref>
 
 
== See also ==
 
* [[Acosmism]]
 
* [[Avidya (Hinduism)]]
 
* [[Avidyā (Buddhism)]]
 
* [[Hindu cosmology]]
 
* [[Kleshas (Hinduism)]]
 
* [[Indrajala]]
 
 
==Notes==
 
{{cnote|a|From a [[Proto-Indo-Iranian]] ''*māyā'', cognate to Avestan ''māyā'' with an approximate meaning of "miraculous force", of uncertain etymology, either from a root ''may-'' "exchange", or from a root ''mā-'' "measure", among other suggestions; [[Manfred Mayrhofer|Mayrhofer]], EWAia (1986-2001), s.v.<ref>J. Gonda, ''Four studies in the language of the Veda'', Disputationes Rheno-Traiectinae (1959), pp. 119ff, 139ff., 155ff., 164ff.</ref>}}
 
  
 
==References==
 
==References==
 
{{reflist}}
 
{{reflist}}
  
==External links==
 
* [http://www.hinduwebsite.com/maya.asp (''Maya, the grand Illusion or Delusion of the Mind'', at hinduwebsite.com)]
 
 
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Revision as of 01:04, 28 June 2020

Maya or Māyā (Sanskrit माया, a term found in Pali and Sanskrit literature, is often used to refer to a magician's illusion, or the illusory nature of reality, particularly in the Sanskrit tradition.

In the Sanskrit tradition, the magician's illusion exemplifies how people misunderstand themselves and their reality. Under the influence of ignorance, we believe objects and persons to be independently real, existing apart from causes and conditions. We fail to perceive them as being empty of a real essence, whereas in fact they exist much like māyā, the magical appearance created by the magician. The magician's illusion may exist and function in the world on the basis of some props, gestures, and incantations, yet the show is illusory. The viewers participate in creating the illusion by misperceiving and drawing false conclusions. A wise person sees the appearances as illusory, and thus is freed from attachment to the appearances.

For example, some texts identify eight similes of illusion (the Tibetan sgyu ma translates māyā and also other Sanskrit words for illusion): magic, a dream, a bubble, a rainbow, lightning, the moon reflected in water, a mirage, and a city of celestial musicians." [1] Understanding that what we experience is less substantial than we believe is intended to serve the purpose of liberation from ignorance, fear, and clinging and the attainment of enlightenment as a Buddha completely dedicated to the welfare of all beings.

Depending on the stage of the practitioner, the magical illusion is experienced differently. In the ordinary state, we get attached to our own mental phenomena, believing they are real, like the audience at a magic show gets attached to the illusion of a beautiful lady. At the next level, called actual relative truth, the beautiful lady appears, but the magician does not get attached. Lastly, at the ultimate level, the Buddha is not affected one way or the other by the illusion. Beyond conceptuality, the Buddha is neither attached nor non-attached.[2] This is the middle way of Buddhism, which explicitly refutes the extremes of both eternalism and nihilism.

Nāgārjuna, of the Mahāyāna Mādhyamika (i.e., "Middle Way") school, discusses nirmita, or illusion closely related to māyā. In this example, the illusion is a self-awareness that is, like the magical illusion, mistaken. For Nagarjuna, the self is not the organizing command center of experience, as we might think. Actually, it is just one element combined with other factors and strung together in a sequence of causally connected moments in time. As such, the self is not substantially real, but neither can it be shown to be unreal. The continuum of moments, which we mistakenly understand to be a solid, unchanging self, still performs actions and undergoes their results. "As a magician creates a magical illusion by the force of magic, and the illusion produces another illusion, in the same way the agent is a magical illusion and the action done is the illusion created by another illusion."[3] What we experience may be an illusion, but we are living inside the illusion and bear the fruits of our actions there. We undergo the experiences of the illusion. What we do affects what we experience, so it matters.[4] In this example, Nagarjuna uses the magician's illusion to show that the self is not as real as it thinks, yet, to the extent it is inside the illusion, real enough to warrant respecting the ways of the world.

For the Mahayana Buddhist, the self is māyā like a magic show and so are objects in the world. Vasubandhu's Trisvabhavanirdesa, a Mahayana Yogacara "Mind Only" text, discusses the example of the magician who makes a piece of wood appear as an elephant.[5] The audience is looking at a piece of wood but, under the spell of magic, perceives an elephant instead. Instead of believing in the reality of the illusory elephant, we are invited to recognize that multiple factors are involved in creating that perception, including our involvement in dualistic subjectivity, causes and conditions, and the ultimate beyond duality. Recognizing how these factors combine to create what we perceive ordinarily, ultimate reality appears. Perceiving that the elephant is illusory is akin to seeing through the magical illusion, which reveals the dharmadhatu, or ground of being.[5]

References

  1. Thinley Norbe Rinpoche in The Dzogchen Primer, Marcia Binder Schmidt ed. Shambala, Boston, 2002, pg. 215 ISBN 1-57062-829-7
  2. Thinley Norbe Rinpoche in The Dzogchen Primer, Marcia Binder Schmidt ed. Shambala, Boston, 2002, pg. 217 ISBN 1-57062-829-7
  3. Nagarjuna's Mulamadhyamakakarika Prajna Nama, J.W. DeJong, Christian Lindtner (eds.) quoted in Nagarjuna's Madhyamaka: A Philosophical Introduction, Jan Westerhoff, Oxford University Press, New York, 2009. p. 163 ISBN 978-0-19-537521-3
  4. Nagarjuna's Madhyamaka: A Philosophical Introduction, Jan Westerhoff, Oxford University Press, New York, 2009. p. 164 ISBN 978-0-19-537521-3
  5. 5.0 5.1 The Emptiness of Emptiness: An Introduction to Early Indian Madhyamika. C.W. Huntingdon, Jr. with Geshe Namgyal Wangchen, University of Hawaii Press, Honolulu, 1989, ISBN 0-8248-1165-8, p.61-62.
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